Inside: Embark on a journey with Ohara Koson Birds: Get your hands on exquisite, free-to-print avian art that brings nature’s elegance into your home.
I stumbled upon the treasure that is Ohara Koson’s when browsing an antique store, one of those gems packed with history. As a huge cockatoo fan, my heart skipped when I found Koson’s ‘Cockatoo and Plum Blossoms’ print – it was love at first sight!
I had to know more. And let me tell you, diving into Koson’s art was like opening a treasure chest of avian beauty. Every painting felt like a little piece of magic, with birds so lifelike they could almost take flight off the canvas.
Discovering that cockatoo painting began a beautiful journey through the graceful world of Ohara Koson’s birds. I can’t wait to share this discovery with you.
Who Was Ohara Koson
Born in in Japan, Ohara Koson was the master of ‘kacho-e’ (bird-and-flower) paintings. His talent was so remarkable that he made birds look like they could flutter right off the canvas. Whether it was a majestic crane, a nimble sparrow, or a vibrant kingfisher, his attention to detail is nothing short of asto
Ohara Koson
Ohara Koson was a Japanese painter and woodblock print designer of the late 19th and early 20th centuries, part of the shin-hanga ("new prints") movement.
Ohara Koson was famous as a master of kachō-e (bird-and-flower) designs. Throughout a prolific career, in which he created around prints, he went by three different titles: Ohara Hōson (小原豊邨), Ohara Shōson (小原祥邨) and Ohara Koson.
He was born Ohara Matao; it is thought that he started training in painting and design at the Ishikawa Prefecture Technical School in – He also studied painting with Suzuki Kason (–), although accounts differ on whether this happened during his school years or after he moved to Tokyo in the middle to late s.
In Tokyo, he produced some ukiyo-e triptychs illustrating episodes of the Russo-Japanese War, but most of his production was prints of birds-and-flowers (kachō-e). He worked at first with publishers Akiyama Buemon (Kokkeidō) and Matsuki Heikichi (Daikokuya), signing his work Koson. Starting around , he became associated with the publisher Watanabe Shōzaburō, and signed his work Shōson. He also worked with the publisher Kawaguchi, signing his works Hōson.
Through his association wi
KOSON ŌHARA 小原 古邨 (–)
Ohara Koson ( – ) was the most successful ukiyo-e artist of the shin hanga period depicting mainly birds, plants and other animals (kacho-e). He probably was the student of Suzuki Kason.
By the end of the 19th century the Nihonga art movement, influenced by western style and techniques, revived traditional Japanese techniques. Koson can be seen as part of this art movement, together with Ogata Gekkō, Sakamaki Kōgyo, Hirezaki Eihō and Watanabe Seitei. These artists worked in close cooperation with the publishers Daikokuya and Kokkeidō. In Koson’s association with the very well-known publisher Watanabe started.
Ohara Koson was using three artist’s names: Ohara Koson, Ohara Shōson (used since ) and Ohara Hōson.
Kacho-e by Ohara Koson - Birds and Flowers
In Japanese art, Kacho-e refers to paintings and prints featuring birds and flowers. This artistic theme boasts a rich heritage in both Chinese and Japanese traditions. Ohara Koson, a prominent artist of the Shin Hanga movement, is celebrated as the preeminent master of Kacho-e during the early 20th century.
Ohara Koson - A Master of Nature Prints
Ohara Koson is widely regarded as the master of nature prints in the 20th century, especially in the genre of kacho-e. Despite his renown, details about his life and artistic career remain scarce. A recent book by Amy Reigle Newland, Jan Perree, and Robert Schaap sheds valuable light on his legacy. For further insights, read more about Ohara Koson here.
Koson, Shoson, Hoson: The Challenge of Identifying Japanese Prints
Identifying Japanese prints is often complicated by the traditional practice of artists adopting multiple names. Ohara Koson exemplifies this custom. Born Ohara Matao, he produced war prints under the name Koson Ohara during the Russo-Japanese War (–) for the publisher Matsuki Heikichi. He also created small-format kacho-e prints during this time.
In , he beg
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