Wynton marsalis discography

Blues Symphony

All compositions by Wynton Marsalis (Skayne’s Music (ASCAP))

TRACK LISTING
Movement I: Born in Hope
Movement II: Swimming in Sorrow
Movement III: Reconstruction Rag
Movement IV: Southwestern Shakedown
Movement V: Big City Breaks
Movement VI: Danzón y Mambo, Choro y Samba
Movement VII: Dialog in Democracy

Recorded on December , in Verizon Hall at the Kimmel Center for the Performing Arts in Philadelphia, PA.

PERSONNEL:

The Philadelphia Orchestra, Season
Conducted by Cristian Măcelaru

Yannick Nézet-Séguin
Music Director
Walter and Leonore Annenberg Chair

Stéphane Denève
Principal Guest Conductor

Gabriela Lena Frank
Composer-in-Residence

Erina Yashima
Assistant Conductor

Lina Gonzalez-Granados
Conducting Fellow

Frederick R. Haas
Artistic Advisor
Fred J. Cooper Memorial Organ Experience

First Violins
David Kim, Concertmaster
Dr. Benjamin Rush Chair
Juliette Kang, First Associate Concertmaster
Joseph and Marie Field Chair
Ying Fu (*), Associate Concertmaster
Marc Rovetti, Assistant Concertmaster
Barbara Govatos
Robert E. Mortensen Chair
Jonathan Beiler
Hirono Oka
Richard Amoroso
Robert and Lynne Pollack C

Marsalis, Wynton

Trumpet player

For the Record&#x;

Classically Trained Jazz Musician

Technique Drew Criticism

Jazz a Metaphor for Democracy

Lauded by Critics

A Shepherd of the Music

Selected discography

Sources

Wynton Marsalis is potentially the greatest trumpet player of all time, proclaimed Maurice Andre, the famed classical trumpet virtuoso. Given Marsalis&#x;s technical prowess&#x; from astonishing scales to clean, quick-tongued repeated notes to gossamer phrasing to impeccable arpeggios, as Leslie Rubenstein described in Stagebill&#x; it is understandable why he has received such an accolade and why he is often hailed as the savior of modern jazz. But there are disbelievers, critics who consider him too conservative, technical, studied, elite. Marsalis&#x;s detractors think he lives up to the Rolling Stone title the hottest lips in America even when he is not blowing his horn. Passionate&#x;some would say obstinate&#x;about his desire to return jazz to its purest form, Marsalis is not afraid to preach his beliefs over the heads of legends. They are not amused. Rolling Stone&#x;s Steve Bloom quoted the late Miles Davi

Swinging into the 21st (BOX SET)

was a very important year in my development. I had been recording for CBS Records and Sony Music for almost 20 years. This relationship allowed for the unprecedented release of 9 recordings. Don Ienner, then president of the label, agreed to support this volume of artistic production despite its economic risk. I viewed his support as recognition of and respect for my contribution to the label and my unwavering dedication to the art of jazz and to music. We called it Swinging into the 21st and it was an optimistic statement on the upcoming century. I was more than fortunate to have Gabrielle Armand as project manager. She wrote the overall plan and release schedule, and oversaw the execution of it with the intensity of a mother. I owe these releases to her tenacity and belief. That entire year, from January 1st to the performance of All Rise with the New York Philharmonic on December 29th, I worked every day from 5 in the morning until 1 or 2 the next morning. I was music, music, music.

Each release featured a different ensemble and style of music, and a unique set of musical challenges. The one unifying factor was jazz, which is the foundatio

From the Plantation to the Penitentiary

Wynton Marsalis, trumpet
Walter Blanding, tenor & soprano saxophones
Dan Nimmer piano
Carlos Henriquez, bass
Ali Jackson, drums
Jennifer Sanon, vocals

Recorded on June 28 & 29, by DAVID ROBINSON at Right Track Studio A, New York, NY
Assistant engineers: JAY GOIN, HYOMIN KANG & ALEX VANGUER
Additional recording by YURON ALDEMA at AM Studios, New York, NY
Mixed in October by PATRICK SMITH at Glenwood Studios, Burbank, CA
Mastered on November 17, by LEON ZERVOS at Sterling Sound, New York, NY
Production coordination: ISOBEL ALLEN-FLOYD, GENEVIEVE STEWART & RACHEL STICKNEY

Carlos Henriquez plays a Cleveland New Standard bass with Damian Duglolecki G & D and Gamut A & E gut strings
Ali Jackson uses Yamaha drums, sticks & brushes by Regal Tip, cymbals by Zildjian, and XL Spec Protechtor Cases
Recorded without the dreaded bass direct
A&R: ELI WOLF / A&R administration: KEITH KARWELIES
Product management: SHANIEKA D. BROOKS
Creative Direction: GORDON H JEE
Art direction & design: BURTON YOUNT
Paintings by JESSICA BENJAMIN from “The American Series”

Thanks to: Billy Banks, Jono Gasparro,


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